Studio Phantastica

Information

Welcome to the wonderful world of Studio Phantastica. This space represents the culmination of five and a half years of my doctoral research into the spatialities and space-making practices of contemporary psychedelic-assisted therapy.

As a living extension of the research-creation practices that inform my exegesis, this website functions as a tool for space-makers, professional designers, everyday designers, spatial thinkers, psychonauts, and therapy providers. Whether you are a formally trained architect or an everyday space-maker, this platform is for anyone actively engaged in shaping environments for psychedelic care.

When you explore the main page, you will encounter a series of floating fields of colour. These are what I call 'offerings for practice' - critical orientations that have emerged through my research as deeply important ideas for space-making. Representing my core contribution to design practice, these offerings are intended to provoke new ways of thinking about the spaces and spatial practices associated with psychedelic-assisted therapy. By clicking on each offering, a pop-up box will reveal its central provocation.

Mapped across these fluid offerings is a radial dial of sixteen distinct projects, illustrating the fullness of the creative outcomes generated over the course of this work. Each number opens into a specific undertaking, taking you to a project page that contains more information about its context, timing, and execution, along with the photographs, sketches, and writings produced along the way.

This interface can be navigated in multiple ways. You can explore projects directly through the dial, or click on specific offerings to see their directly associated projects rendered in colour. Alternatively, you can navigate using the three design approaches located on the top navigation ribbon. These approaches act as frameworks for engaging with the offerings and projects:

Practice

This approach asks how your design practice itself can become inherently psychedelic, moving across different perceptual registers while navigating the practical realities of our work.

Sites

This approach explores where design might actively intervene within the psychedelic-assisted therapy assemblage and across the psychedelic surround to support the therapeutic encounter.

Materials

This is an approach to designing that asks us to rethink our assumptions about the physical world, treating the materiality of space-making as a vibrant, precarious ecology that actively participates in the therapeutic experience.

These offerings, design approaches, project outcomes, and creative practices are intended to sit alongside the central concept developed during my PhD research: the psychedelic surround. I developed this term to articulate the field of multi-temporal and multi-sited spatial conditions that emerge alongside the psychedelic-assisted therapy encounter (Conrick, 2026, p. 8). Reading these elements together expands our understanding of what is both designed and designable within the context of contemporary psychedelic-assisted therapy.

Thank you for taking the time to explore my work.

Projects

01

Collected Comforts

02

Caritas Christi

03

Sinking/Feeling

04

Scrim

05

Doing Research Together

06

PsiConnect

07

Experiments in Walking

08

Dermographies

09

PSIKEA: Extending the Sensorium

10

Impressions

11

Asanapy

12

The In-between

13

Swinburne

14

Encountering Atmospheric Elements

15

The Tomorrow Party

16

Tanglework

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

The Tomorrow Party, image 1 of 7 1/7
The Tomorrow Party, image 2 of 7 2/7
The Tomorrow Party, image 3 of 7 3/7
The Tomorrow Party, image 4 of 7 4/7
The Tomorrow Party, image 5 of 7 5/7
The Tomorrow Party, image 6 of 7 6/7
The Tomorrow Party, image 7 of 7 7/7

The Tomorrow Party

The Tomorrow Party is a co-creative workshop format developed by my colleagues at WonderLab. It combines story-making and "time travelling" - an imaginative role-playing activity - to explore how futures might feel. Thinking about the future can often be incredibly abstract; this format shifts people's perception of the work ahead, seeding a tangible belief that transformative change is possible. I brought this method to a group of researchers and practitioners I knew through the psychedelic community: Dr. Alex K. Gearin (a medical anthropologist), Dr. Tehseen Noorani (an interdisciplinary social scientist), and Kirt Mallie (an Indigenous psychedelic therapist). Together, we co-hosted a session at the Garden States Regeneration Conference outside Melbourne in late 2025.

We knew from our respective fieldwork that psychedelic-assisted therapists rarely have opportunities to connect with one another. The sudden legalisation of these therapies in 2023 had created new above-ground medical pathways for community and connection in legal psychedelic practice. But this small cohort of medical practitioners existed alongside a deeply entrenched underground community and an established network of healthcare providers working specifically in research and clinical trial settings. We wanted to create a shared space where those actively engaged in care provision across all of these diverse, often siloed traditions could connect and collectively imagine the futures of their practice.

The process of co-designing this experience over several months was a real learning opportunity for me. Because my co-facilitators had never experienced the format, I had to initiate them into its mechanics while we figured out how to braid our very different ideas together. One of the central challenges we circled around was safety. How could we embody a respectful approach to the vast spectrum of worldviews present? How could we acknowledge the potential practice and legal vulnerabilities participants might be concerned about?

This challenge ties directly into a core offering of my spatial practice: the idea that safe spaces are not inherently comfortable; indeed, as bell hooks (1994) writes, environments meant for profound transformation fundamentally require the capacity to acknowledge and make room for risk, friction, and vulnerability. Any public space intended to hold multiple, overlapping realities cannot possibly be entirely safe for everyone.

And so, we chose to focus on the small things that we could control. We started with a strict 'no photography' rule and explicitly invited people to remain anonymous. Then, Kirt led the group in a process drawn from his own facilitation toolkit: establishing the 'lore' of the space. Together, we mapped out our group agreements on a whiteboard across three pillars: Respect, Responsibility, and Resonance. Alongside establishing our 'lore', we explicitly named the 'law', acknowledging the precarious legal realities many in the room were navigating. Naming these unsafenesses out loud didn't create a perfectly risk-free container, but it signalled that we were acutely aware of the risks participants were carrying, and that we cared enough to implement measures to help make them safer.

While a more detailed description of the Tomorrow Party’s mechanics and outcomes can be found in my exegesis, my primary takeaways from this project centre on the evolution of my facilitation practice. So much of this doctoral research has been a solo endeavour; despite the privilege of being embedded in WonderLab's wonderfully rich and quirky community of researchers, I have still done much of it alone. Actively collaborating in this space was immensely refreshing. Braiding together our different knowledge systems was a profound exercise in negotiated space, and it was particularly striking to experience the overlaps between Kirt's IPAT (Indigenous Psychedelic-Assisted Therapies) facilitation methods and the WonderLab co-design practices born from Professor Lisa Grocott’s Māori heritage. By doing the work to recognise the multiplicity of unsafenesses in the room - and actively trying to ameliorate them - we demonstrated a tangible ethic and labour of care that had a direct impact on the participants' ease and openness.

Finally, this encounter revealed the profound spatial power of the simple circle. Introduced to our collaboration by Kirt, the circular configuration served as a vital territorialising device. Sitting together on the dirt floor, the simple orientation of bodies toward one another dismantled traditional hierarchies and brought me into relation with every other person in a deeply powerful way. Formed entirely by our bodies, the circle became a symbolic spatio-relational construct. It generated an invisible, deeply tangible membrane around the group, territorialising the space and providing the structural scaffolding necessary to hold the work.

Space-making

2025

Library

Johan Huizinga, "Homo Ludens - a study of the play element in culture"

In Homo Ludens, Johan Huizinga explores play as a generative, cultural force rather than a simple biological reflex. He frames playing as a voluntary step outside ordinary reality into a temporary, secluded sphere. Central to his thinking is the "magic circle" - a bounded physical or conceptual space where everyday rules are suspended, and a specific, temporary order takes over. Inside this designated playground, participants are bound by freely accepted rules, fostering a unique social grouping that exists in a state of being apart together.

For The Tomorrow Party, this concept of a bounded playground became a practical spatial strategy for holding a complex group. Gathering our bodies in a physical ring on the dirt floor enacted Huizinga's magic circle, establishing a tangible relational interiority. By collectively negotiating the group's 'lore' and openly naming the precarious outside 'law', we defined the specific rules of our temporary world.

bell hooks, "Teaching to Transgress: Education as the Practice of Freedom"

In Teaching to Transgress, bell hooks reimagines the learning environment as a dynamic space where growth emerges through friction. She suggests that communal learning requires us to face the discomfort of shifting our paradigms and to acknowledge the very real distress that accompanies giving up old ways of knowing. Expanding beyond the fantasy of a serene haven, hooks champions a democratic setting that accommodates the messy realities of vulnerability, risk, and difference.

Long after we wrapped up The Tomorrow Party at the 2025 Garden States Regeneration conference, hooks’ thoughts on the friction of transformation have stayed with me. Her writing gives me the language to unpack what we were asking of people in that space. We were deliberately holding space for a tangle of anticipated trouble: competing worldviews, clashing medical and underground practices, and the potential presence of the law. For the workshop to actually do its job, all these potential troubles had to somehow bump up against each other and talk. hooks helped me recognise that making room for this trouble wasn't a failure of safety, but the exact kind of tension required to make the experience work.