Studio Phantastica

Information

Welcome to the wonderful world of Studio Phantastica. This space represents the culmination of five and a half years of my doctoral research into the spatialities and space-making practices of contemporary psychedelic-assisted therapy.

As a living extension of the research-creation practices that inform my exegesis, this website functions as a tool for space-makers, professional designers, everyday designers, spatial thinkers, psychonauts, and therapy providers. Whether you are a formally trained architect or an everyday space-maker, this platform is for anyone actively engaged in shaping environments for psychedelic care.

When you explore the main page, you will encounter a series of floating fields of colour. These are what I call 'offerings for practice' - critical orientations that have emerged through my research as deeply important ideas for space-making. Representing my core contribution to design practice, these offerings are intended to provoke new ways of thinking about the spaces and spatial practices associated with psychedelic-assisted therapy. By clicking on each offering, a pop-up box will reveal its central provocation.

Mapped across these fluid offerings is a radial dial of sixteen distinct projects, illustrating the fullness of the creative outcomes generated over the course of this work. Each number opens into a specific undertaking, taking you to a project page that contains more information about its context, timing, and execution, along with the photographs, sketches, and writings produced along the way.

This interface can be navigated in multiple ways. You can explore projects directly through the dial, or click on specific offerings to see their directly associated projects rendered in colour. Alternatively, you can navigate using the three design approaches located on the top navigation ribbon. These approaches act as frameworks for engaging with the offerings and projects:

Practice

This approach asks how your design practice itself can become inherently psychedelic, moving across different perceptual registers while navigating the practical realities of our work.

Sites

This approach explores where design might actively intervene within the psychedelic-assisted therapy assemblage and across the psychedelic surround to support the therapeutic encounter.

Materials

This is an approach to designing that asks us to rethink our assumptions about the physical world, treating the materiality of space-making as a vibrant, precarious ecology that actively participates in the therapeutic experience.

These offerings, design approaches, project outcomes, and creative practices are intended to sit alongside the central concept developed during my PhD research: the psychedelic surround. I developed this term to articulate the field of multi-temporal and multi-sited spatial conditions that emerge alongside the psychedelic-assisted therapy encounter (Conrick, 2026, p. 8). Reading these elements together expands our understanding of what is both designed and designable within the context of contemporary psychedelic-assisted therapy.

Thank you for taking the time to explore my work.

Projects

01

Collected Comforts

02

Caritas Christi

03

Sinking/Feeling

04

Scrim

05

Doing Research Together

06

PsiConnect

07

Experiments in Walking

08

Dermographies

09

PSIKEA: Extending the Sensorium

10

Impressions

11

Asanapy

12

The In-between

13

Swinburne

14

Encountering Atmospheric Elements

15

The Tomorrow Party

16

Tanglework

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Doing Research Together

In 2023, the Emerging Technologies Research Lab commissioned a group of PhD researchers to create a collaborative work for their Futures at the Edge symposium. Supported by a small budget, we designed and co-facilitated Doing Research Together, a multi-day research-sharing experience hosted at the Kathleen Syme Library in Carlton, Melbourne.

Over several days, our cohort gathered to share, test, and physically work through a vast cross-section of creative research methods. To document this intense period of collaborative exchange, we worked directly with communication designers to produce A Messy Manifesto, a zine that captured the generative friction of the encounter and served as our final research artefact.

For me, this event acted as a vital introduction to the world of ‘research creation’ and the sheer diversity of creative methodologies. Crucially, it was my first opportunity to organise and co-facilitate a workshop. Moving through this shared environment revealed the workshop format itself as an active, relational space-making practice. Following this symposium, the act of holding space for collaborative, messy making became a central pillar of my spatial practice.

Space-making

2023

Library

Kim Mumm Hansen, "A sense of place/non-place"

To prepare for the collaborative creation of A Messy Manifesto, we invited graphic designer Kim Mumm Hansen to host a preliminary zine-making workshop. She brought a stack of her own publications to share, and A Sense of Place, Not Place immediately stuck with me.

It is a brilliant study in the mundane. The zine captures the raw, unpolished reality of site-specific research, relying entirely on its modest, everyday quality to communicate its value. It is so simple, yet it demonstrates exactly how immediate a record of practice can be, showing that a research artefact needs only to honestly hold the space where the messy making happens.

This tactile, unassuming booklet provided the perfect aesthetic and conceptual blueprint for our own manifesto, anchoring our sprawling workshop methodologies into a tangible, everyday object.